Happy Spring! While the mustard flowers may be past their prime, the California poppies are still blooming, and things may finally be looking up for the world. Spring affects us all — are you seeing it reflected in your artwork in any way?
I’ve been creating demonstration paintings, as I’ve shared, and making my time lapse demonstration videos, of subjects including the California poppies. They felt so timely and appropriate! I still have mustard photos ready for more flower paintings later, and today I was photographing more poppies.
But in the last couple of weeks I’ve been creating different kinds of paintings, to exemplify different approaches to abstract landscape painting. It's all for my Abstract Landscape Painting online class, to add to the demonstration paintings I'd already done. More flower paintings will come, just not quite yet, after all!
One of the things I love about teaching is that I can be all over the place in my painting, in ways that might be considered inconsistent if I were focused on working on a body of work for a show.
It lets me be playful in new ways, because I’m demonstrating things I may not usually do. It allows me to push my boundaries and continually learn and expand my creative practice. And it is important for any creative person to keep learning, keep exploring, keep expanding, keep blossoming (oh, how spring-appropriate!).
Have you noticed if spring is affecting your artwork? Is it getting brighter? Lighter? More colorful? Are new subjects calling to you? Are you feeling more playful about it? It’s all good! As more light comes onto our side of the planet, and we head towards warmer weather, you can give yourself permission to take your art wherever your inspiration may lead you. You never know what you may discover….
And, in the meantime, keep blooming!
(NOTE: This is from last week's email to my students.)
I hope this finds you happy and healthy, and having a great week. If you have gotten out and about, you probably haven't missed nature’s celebration of springtime, in the form of flowers in the fields. The mustard is amazing, and the poppies are delightful. Did you ever think of painting them?
One of the things I enjoy about teaching is that it pushes me, or gives me permission, to paint in ways, or using colors, or of subjects that I might not otherwise, or to approach them using methods I wouldn't ordinarily, for the purposes of demonstration. (Everything, these days, becomes a time-lapse demonstration video.)
And that allows me to play! Have you given yourself permission to play with your painting lately? To try something new? To experiment? It is a lot of fun, especially when you give yourself plenty of latitude and forgiveness, and send your inner critic out for a long walk to enjoy the flowers. (Send a camera along with it!)
I’m just getting started with the California poppies. The mustard paintings are next!
By the way, these are currently being offered at auction in March by my Napa gallery, Jessel Gallery, which helps Jessel keep the doors open during the pandemic, too. Here's the link (up though the end of March), if you'd like to take a look — and also see some of the other abstract landscape demonstration paintings I've been creating lately: https://www.jesselgallery.com/
Karen Lynn Ingalls
I am a working artist in Napa and Sonoma Counties, in northern California. I paint colorist landscapes of rural California, teach art classes, workshops, and private lessons, live in Calistoga, and have my art studio in Santa Rosa, California.